Silhouetted crowd watching a structure burn at Burning Man

WE'RE FINE

Two years into the war, Ukrainian artists unite at Burning Man, where strangers become family as they transform war-scarred road signs into a powerful symbol of resilience.

The Film
Best Documentary Short — Austin Film Festival 2025 2026 Winner, Best Editing — Nevada City Film Festival Official Selection — Odesa International Film Festival 2025 Official Selection — Cleveland International Film Festival 2026

Official Selections & Awards

Official Selection — 10th Ukraïne! Film Festival, Warsaw / Poland 2025
Official Selection — Cleveland International Film Festival 2026
Best Documentary Short — Austin Film Festival 2025
2026 Winner, Best Editing — Nevada City Film Festival
Official Selection — Montclair Film Festival 2025
Official Selection — Bend Film Festival 2026
Official Selection — 40th Edmonton International Film Festival 2026
Official Selection — Odesa International Film Festival 2025
Official Selection — CUFF.Docs Documentary Film Festival 2025
Official Selection — Dances With Films 2026
Selezione Ufficiale, Documentari — Terra di Siena International Film Festival 2025
Official Selection — Crested Butte Film Festival 2026

A monument raised from the wreckage

Synopsis

Two and a half years into the full-scale invasion of Ukraine, a group of artists and volunteers converge at Burning Man to build a monumental art installation from war-scarred road signs salvaged from de-occupied Ukrainian territories. Each fragment of metal, pockmarked with bullet holes and burn marks, carries the weight of conflict.

As these strangers assemble the giant phrase “I’m Fine” in the Nevada desert, they forge a family bound by grief, resilience, and purpose. Through vérité footage and intimate interviews, We’re Fine explores how trauma can be transformed into collective creation — turning the debris of war into a raw message of truth and solidarity.

A crane lifts a metal-sign panel as artists assemble the WE'RE FINE installation in the Nevada desert
150
Metal signs used in the installation
300+
Ukrainian towns & cities represented
500+
Hours of work to build it
12
Festival selections & awards

Film Information

DirectorMisha Karpenko
Year of Completion2025
Runtime24 min 44 sec
World PremiereOdesa International Film Festival, Ukraine
US PremiereMontclair Film Festival, New Jersey
Selected Screenings Austin Film Festival, USA Nevada City Film Festival, USA Cleveland International Film Festival, USA Terra di Siena International Film Festival, Italy Ukraine! Film Festival, Warsaw
Director Misha Karpenko

Director’s Statement

When I first started the project, I thought I was simply documenting an installation. But once I learned where the road signs came from, roads I had once traveled in Ukraine, now marked by war, the meaning shifted.

Behind each piece of metal were untold stories of loss, survival, and endurance.

As a Ukrainian filmmaker living abroad, I carry the same quiet grief that this artwork embodies: the need to say “I’m fine” while hiding scars underneath. Filming this project was my way of bridging that silence, offering an emotional lens on the war that isn’t about frontlines or statistics, but about resilience, grief, and the fragile connections that sustain us.

This is not just a film about building an artwork. It is about how strangers become family in pursuit of a shared truth, how art can speak when words fail, and how even in the harshest desert, reminders of home can take root.

- Misha Karpenko

Team

Misha Karpenko

Misha Karpenko

Director / Producer / Editor

Misha Karpenko is a Ukrainian filmmaker and editor based in Los Angeles. Originally from Ukraine, he has lived and studied in the U.S. for the past 10 years. His work spans music videos, commercial content, and short films. He has directed videos for Kalush Orchestra and bbno$, and produced commercials for global gaming brands such as World of Tanks and Rise of Kingdoms. With a strong background in cinematography and post-production, Karpenko is drawn to stories of resilience and identity, often captured through intimate behind-the-scenes perspectives.

Kelsey Oluk

Kelsey Oluk

Producer

Born in Edmonton, Canada, Kelsey Oluk is a multidisciplinary producer and performer. She recently completed a feature documentary on Naomi Osaka for Uninterrupted / Waffle Iron Entertainment and produced Long Live the State (Tribeca 2024). Past credits include A$AP Rocky: Stockholm Syndrome (Amazon Studios), Naked Gardens (Tribeca 2022), Subject (Tribeca 2022), Native Son (Sundance / A24 / HBO), and Pigeon Kings (SIFF). She brings a deep commitment to socially resonant storytelling across film, art, and performance.

Vitaliy Deynega

Vitaliy Deynega

Executive Producer / Featuring

Born in Kyiv, Vitaliy Deynega is the founder of “Come Back Alive,” Ukraine’s largest defense charity, and co-founder of the Ukrainian Witness project. Since 2023, he has served as Ukraine’s Deputy Minister of Defence for Digital Development, spearheading modernization efforts across the armed forces. At Burning Man, he co-created the Phoenix (2023) and I’m Fine (2024) installations, using art as resistance and remembrance.

Oleksiy Sai

Oleksiy Sai

Artist / Featuring

Oleksiy Sai is a contemporary Ukrainian artist known for his bold and provocative works. He first gained international attention for his “Excel-Art” series, which used Microsoft Excel spreadsheets as a medium to critique corporate culture and globalization. His art has been exhibited in the USA, UK, Germany, and Switzerland. Since the start of Russia’s full-scale invasion, Sai’s work has centered on war and its human toll. His I’m Fine installation at Burning Man 2024 symbolized the resilience and unbreakability of Ukrainians, transforming destroyed road signs into a message of endurance and defiance.

Katya Richardson

Katya Richardson

Composer

Katya Richardson is a Los Angeles-based composer known for blending orchestral, electronic, and experimental elements. Her recent work on the Oscar-shortlisted documentary The Last Repair Shop has earned wide acclaim. She brings her distinct, emotionally charged style to We’re Fine, amplifying the film’s exploration of resilience through sound.

Maria Moroz

Maria Moroz

Executive Producer / Featuring

Maria Moroz, born and raised in Kherson, Ukraine, is a project manager and communications specialist with a deep-rooted passion for her hometown and the arts. She has been heavily involved in large-scale cultural projects, including the GogolFest contemporary art festival. In 2023, she was part of the team that brought Phoenix to Burning Man, returning in 2024 as a producer of I’m Fine. Her work documents and amplifies Ukrainian cultural resilience amid ongoing war.